Jonn Penney of Ned's Atomic Dustbin selected it as the one track he would like to be played at his funeral, adding, "I'd want people to have that euphoric feeling that you sometimes get, when you remember something special that happened to you. In 2011, Princess Chelsea named "Souvenir" her favourite song. I just kept it on repeat." The Charlatans frontman Tim Burgess, who also bought the single, described it as "so atmospheric" and an "absolute classic". He added, " probably the single record that I have played most in my life. I still play it." Neil Hannon of The Divine Comedy professed to "absolutely adore" the single, which he purchased as a child.
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Tennant wrote in 2018, "'Souvenir' is such a beautiful and wistful song with that sparse early Eighties electronic sound. Upon meeting in 1981, Pet Shop Boys members Neil Tennant and Chris Lowe found common ground in their love of the track. In a 1981 interview with BBC Radio 1, Godley & Creme named OMD's "Souvenir" and " Enola Gay" as two of their favourite singles. Multiple artists have endorsed the track. It has nevertheless been featured on numerous 1980s compilation albums, as well as in the BBC drama Ashes to Ashes. Having gained limited mainstream airplay since its initial chart success, "Souvenir" was mentioned in the IPC Media special 501 Lost Songs as a "classic piece of early '80s melancholy". Classic Pop ranked the single as the 34th-best of the 1980s. It later placed 33rd in a Slicing Up Eyeballs reader poll of the year's greatest songs, and was named by Channel 5 as the 28th-best track of 1981. Smash Hits readers voted "Souvenir" the fourth-best single of 1981. Music Week identified "Souvenir" as a "choral classic" and one of "the world's greatest songs". Classic Pop 's Mark Lindores called it a "shimmering synth-pop masterpiece", while Trouser Press hailed the track as "magnificent" and "one of the most majestic singles of the post-punk era". Retrospectively, Ned Raggett of AllMusic praised Humphreys' "warm and beautiful lead role" and described the mid-song instrumental break as "especially inspired". "Souvenir" was the 28th best-selling single in the UK in 1981. It was featured for the first time on Top of the Pops two days later, helping the single to enter the Top 10 the next week, and then reach its peak of no. "Souvenir" entered the UK Singles Chart on 25 August 1981 at no. The magazine later expressed an alternate view, observing a "strong" single that features 1981's " intro of the year". Peter Silverton of Smash Hits was less enthused, portraying the track as "ethereal but rather hollow".
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Sunie Fletcher of Record Mirror described the track as a "pleasant slowie" that is "very reminiscent of French movie music", while the Vancouver Sun 's Neal Hall said it "underscores the band's talent at writing subtle, intelligent pop songs". The magazine called "Souvenir" an "insidiously catchy and melodic synthesizer glissando", and OMD's "strongest U.S. Reception Ĭashbox named "Souvenir", and " Did It in a Minute" by Hall & Oates, as their top "singles picks" for the week of 20 March 1982. The title of the track was used for a documentary DVD about the reformed OMD, released in 2007 by Aspect Television. Unlike successive hit singles " Joan of Arc" and " Maid of Orleans" from the Architecture & Morality album, "Souvenir" has never been reissued as a standalone CD single release.
It was the second time the group had used this unusual release format, the first being the 10" single for " Messages" in May 1980. I genuinely thought it was a bit soppy, and since I hadn't written it, I found it hard to relate to." Īn extended version of Souvenir (with an additional verse) was released as a 10" single and was later included as a bonus on the digitally remastered copies of Architecture & Morality. But everyone seems to think I hated 'Souvenir' just because it was Paul's song – not so. He said in 1987, "I think you can always make a better case for a song you've written on your own. Frontman and co-founder Andy McCluskey was not a fan of the track. A synthesizer hook substitutes for a vocal chorus, as with other OMD compositions. Keyboard player Paul Humphreys provided lead vocals and had co-written the song with Martin Cooper who had played live with OMD and was becoming part of the group. It was originally titled "The Choir Song" and the working title remained up until the final week for Peter Saville's artwork delivery. The composition was difficult, and the group was initially tempted to abandon the track. A tape consisting of slowed-down loops of a choir tuning up lent by ex-OMD member Dave Hughes had been the initial inspiration for the song.